Showing posts with label studio. Show all posts
Showing posts with label studio. Show all posts

3.17.2009

Studio Sessions


So the big news that I never did share, much to the confusion of my few but loyal readers, was that I had started what one friend suggested was the equivalent of a modern day salon.  In French, it means a large room meant to receive and entertain guests, a gathering of people, a private gathering of artists, conniseurs and intellectuals, like those exhibits in Paris when the expressionists was just busting out into the main scene in art with their seemingly vague and unintentional brush strokes.  It sounds more loftier than what I had planned but I like the idea of the gathering.  Last Fall, my long-time roommate and friend moved out and I turned one of the bedrooms into a studio and offered the stash of art supplies I've accumulated over the years for use by me and my friends.  Every week we gather for a few hours at my apartment and we work on, well, whatever. This week whatever is the last bits of winter knitting and the beginnings of our Spring Printmaking and Photography sessions.  Have a look here .

Nada is knitting a beautiful vibrant green scarf with a Malabrigo wool yarn. She is a natural in knitting. Watching her hands is mesmerizing. Amanda is taking photographs but her true interest these days is cooking and more specifically healthy cooking. See what's in the stove top. It's her amazing fritata. Mary is the expert knitter and by the looks of it will also be the expert printmaker.  Katy has been drawing.  She made an ingenious set of cards.  They sort of work like tarot cards except they are based on characters from literature.  She's given us readings which have been uncanny in its accuracy it borders on scary.

For spring we have ambitious plans for printmaking but we start with the simplest, those of potato prints. The potato prints turned out great. I've had these Lotta Jansdotter books that I've been collecting and I've been itching to try these projects for quite a while now because they look so easy but finished at the same time.  I like that we figure things out together. We simply followed the directions together. The important thing to note is that you do need some kind of a cushioned material so that the material gives in a bit to make better, clearer impressions.  Here, we used felt. My prints are the peppermint pinwheels and Mary made ones that look like a egg nests or bike tires.  We don't know what these will turn out to be and I'm excited to find out.  

More soon.  Really.

ashima

4.15.2008

Someday it will be clear to me


Someday it will be clear to me what it is that I do. I am writing in the heels of a failure. I hesitate to call it a failure because, let's be honest, it is not in human nature to think in terms of loss. We spin. What do we call that, we euphemize.

April 1st came and went and I never did apply for art school. It is never really clear to me why. I had enough to show them, but I never could click the submit button.

That' s my confession. I could spin you my euphemism, and I tried and I ended up backspacing until my fingers hurt. In the end, it just never felt right or at least not yet. I don't feel deflated though which would have been my usual typical reaction. Maybe because the weather is getting better here and I'm looking forward to the start of the volleyball season when me and my friends will start hanging out by the lake. I vow to bring my camera with me, no matter how cumbersome it is.
Life is good despite despite some failures. I have friends and family and work that allows me freedom to explore new things. Maybe it's not time for me to explore art school yet. Maybe it's time for just exploring what spring and summer brings. We shall see

12.05.2007

To the Sea, To the Sea


We are back in the islands. We come home to a flooded house and a ruined garden and it breaks my heart but we are buoyed by celebrations of a wedding. This is what I gave Amy to welcome her into our family. I hope she likes it. I made a cast of a conch shell I took from a sea, maybe from Palawan or maybe from Liguria. Last night we had dinner, the two families together. I see my brother move his way around their kitchen. He knows where everything is: the spatula to stew the curried crabs, the knives to open the oyster shells, the mortar and pestle to grind pepper to season the bangus. He navigates the space with the same ease as he does our own kitchen. I will take that with me when I leave.

11.07.2007

Red Necklace






I'm sick today and working from home but am taking a short break to set my laundry and on my way up, I cut the last remaining flowers in the garden and set them at the table next to this photo from my favorite magazine. I love that red necklace. I'm not even sure it's a real necklace. It's more like scraps of red fabric shaped into circles sewn together. My mind is mulling over this image. But first I must get to the bottom of a server error in one of my dot net applications at work. Sometimes work just gets in the way....

4.11.2007

My Frank Gehry Rings

Inspired by the convoluted metal structure of the Pritzker Bandshell in Chicago's Millenium Park. Only Frank Gehry can make up this kind of stuff.

12.15.2006

How I want to see the world

To see a World in a Grain of Sand
And Heaven in a Wild Flower
---William Blake




I'm excited to show you my new work. This all came together in the last couple of days. I've been floundering for weeks not really coming up with anything I was happy with. The cat is Sisal, the yard cat that likes to stay with me during the day. You could say he's my officemate. He stays and chats with me while I have a cup of coffee by the watercooler that is my kitchen.

My doming tools came a week ago which is how I'm able to make these bulbous shapes. The twigs were an experiment at fusing, a process of attaching metal pieces without using solder. Could not find my solder mojo for the past few days, kept melting stuff, so I tried fusing. A happy accident. Love that.